{"id":17431,"date":"2022-07-01T15:36:09","date_gmt":"2022-07-01T15:36:09","guid":{"rendered":"https:\/\/nashvillefilmfestival.org\/?p=17431"},"modified":"2022-07-02T20:43:20","modified_gmt":"2022-07-02T20:43:20","slug":"announcing-nashfilms-2022-screenplay-competition-quarterfinalists","status":"publish","type":"post","link":"https:\/\/nashvillefilmfestival.org\/announcing-nashfilms-2022-screenplay-competition-quarterfinalists\/","title":{"rendered":"Announcing NashFilm&#8217;s 2022 Screenplay Competition Quarterfinalists!"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"17431\" class=\"elementor elementor-17431\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2c6dbde2 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2c6dbde2\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-13042bf6\" data-id=\"13042bf6\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-27d3d3cf elementor-widget elementor-widget-text-editor\" data-id=\"27d3d3cf\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><\/p>\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/nashvillefilmfestival.org\/wp-content\/uploads\/2022\/06\/NFF22-ScreenwritingCompetitionQuarterfinalistsAnnouncement-Square-scaled.jpg\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/nashvillefilmfestival.org\/wp-content\/uploads\/2022\/06\/NFF22-ScreenwritingCompetitionQuarterfinalistsAnnouncement-Square-1024x1024.jpg\" alt=\"\" class=\"wp-image-17450\" srcset=\"https:\/\/nashvillefilmfestival.org\/wp-content\/uploads\/2022\/06\/NFF22-ScreenwritingCompetitionQuarterfinalistsAnnouncement-Square-1024x1024.jpg 1024w, https:\/\/nashvillefilmfestival.org\/wp-content\/uploads\/2022\/06\/NFF22-ScreenwritingCompetitionQuarterfinalistsAnnouncement-Square-300x300.jpg 300w, https:\/\/nashvillefilmfestival.org\/wp-content\/uploads\/2022\/06\/NFF22-ScreenwritingCompetitionQuarterfinalistsAnnouncement-Square-150x150.jpg 150w, https:\/\/nashvillefilmfestival.org\/wp-content\/uploads\/2022\/06\/NFF22-ScreenwritingCompetitionQuarterfinalistsAnnouncement-Square-768x768.jpg 768w, https:\/\/nashvillefilmfestival.org\/wp-content\/uploads\/2022\/06\/NFF22-ScreenwritingCompetitionQuarterfinalistsAnnouncement-Square-1536x1536.jpg 1536w, https:\/\/nashvillefilmfestival.org\/wp-content\/uploads\/2022\/06\/NFF22-ScreenwritingCompetitionQuarterfinalistsAnnouncement-Square-2048x2048.jpg 2048w, https:\/\/nashvillefilmfestival.org\/wp-content\/uploads\/2022\/06\/NFF22-ScreenwritingCompetitionQuarterfinalistsAnnouncement-Square-2000x2000.jpg 2000w, https:\/\/nashvillefilmfestival.org\/wp-content\/uploads\/2022\/06\/NFF22-ScreenwritingCompetitionQuarterfinalistsAnnouncement-Square-600x600.jpg 600w, https:\/\/nashvillefilmfestival.org\/wp-content\/uploads\/2022\/06\/NFF22-ScreenwritingCompetitionQuarterfinalistsAnnouncement-Square-800x800.jpg 800w, https:\/\/nashvillefilmfestival.org\/wp-content\/uploads\/2022\/06\/NFF22-ScreenwritingCompetitionQuarterfinalistsAnnouncement-Square-scaled-1200x1200.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<p><\/p>\n<p><\/p>\n<p class=\"has-text-align-center has-black-color has-white-background-color has-text-color has-background\" style=\"font-size:clamp(15.747px, 0.984rem + ((1vw - 3.2px) * 0.86), 24px);\">The Nashville Film Festival Screenwriting Competition is excited to announce the 2022 Quarterfinalists. The overall quality of the scripts this season was outstanding, but this diverse group of writers rose to the top making us laugh, cry, and sleep with the lights on. Congratulations to all involved!<\/p>\n<p><\/p>\n<p><\/p>\n<h2 class=\"wp-block-heading\">30 Minute Pilot Quarterfinalists:<\/h2>\n<p><\/p>\n<p><\/p>\n<ul class=\"wp-block-list\">\n<li><em>35 Bleak St.<\/em> by Taylor Steele<\/li>\n<li><em>Absolute Dinner<\/em> by Nic Turner<\/li>\n<li><em>America&#8217;s Next Top Spies! <\/em>by Elizabeth Shew<\/li>\n<li><em>Awful Exes<\/em> by Victor C Dean<\/li>\n<li><em>Baby Gay<\/em> by Keyanna Khatiblou<\/li>\n<li><em>Be Bold!<\/em> by Ruby Mainieri<\/li>\n<li><em>Braindead<\/em> by Valerie Bodurtha<\/li>\n<li><em>Cop Raptor<\/em> by Gustave Cadet + Jacob Chattman<\/li>\n<li><em>Crips<\/em> by Brian Koukol<\/li>\n<li><em>Cupid Stunt<\/em> by Jack Fossett<\/li>\n<li><em>Get A Job!<\/em> by Rosalind Grush<\/li>\n<li><em>House Of Chen<\/em> by Tianwei Wang<\/li>\n<li><em>Jonesy, The Sitcom<\/em> by Caledonia Hanson<\/li>\n<li><em>Long Island Girls<\/em> &#8211; <em>Red White &amp; Blueballs<\/em> by Ellen Ancui<\/li>\n<li><em>Mcscruff P.i.<\/em> by Caleb Barge<\/li>\n<li><em>Miss Demeanor<\/em> by Ruby Mainieri<\/li>\n<li><em>Old Habits<\/em> by Brittani Harris<\/li>\n<li><em>Otherworld, NJ<\/em> by Matthew Mclachlan<\/li>\n<li><em>Plug<\/em> by Summer Chastant<\/li>\n<li><em>Road Work Ahead<\/em> by Eric Wilson<\/li>\n<li><em>Rottenburgerfield<\/em> by Myles Hewette<\/li>\n<li><em>Rummy<\/em> by Gracie Marcellus<\/li>\n<li><em>The Broken Kingdom<\/em> by Mark Renshaw<\/li>\n<li><em>The Gayest Town In North Dakota<\/em> by Tyler Geditz<\/li>\n<li><em>Views<\/em> by Aadrise Johnson<\/li>\n<li><em>Visit Sludgeberg!<\/em> by Maureen Monahan<\/li>\n<li><em>Goblin Girl<\/em> by Sadie Rae<\/li>\n<\/ul>\n<p><\/p>\n<p><\/p>\n<h2 class=\"wp-block-heading\">60 Minute Pilot Quarterfinalists:<\/h2>\n<p><\/p>\n<p><\/p>\n<ul class=\"wp-block-list\">\n<li><em>Back Fires<\/em> by Alex Blumberg<\/li>\n<li><em>Carpenterland<\/em> by Heidi-Marie Ferren<\/li>\n<li><em>Collapse <\/em>by Ekaterina Rusalina + Merlin Camozzi<\/li>\n<li><em>Dead Club<\/em> by Persia White<\/li>\n<li><em>Eat Me<\/em> by Leslie Thomas<\/li>\n<li><em>Fashion School<\/em> by Kasia Smetham<\/li>\n<li><em>Fighter Mafia<\/em> by Marco Santiago<\/li>\n<li><em>Good Hart<\/em> by Micah Barber + Tony Faia<\/li>\n<li><em>Harpoon<\/em> by Ria Tobaccowala<\/li>\n<li><em>Ivory<\/em> by Stephen Hoover<\/li>\n<li><em>League Of Merry Men<\/em> by Chris Karter<\/li>\n<li><em>Mayday<\/em> by Haley White<\/li>\n<li><em>Murder Show <\/em>by Rosalind Grush<\/li>\n<li><em>Only In North Haven<\/em> by Olivia Reed<\/li>\n<li><em>Protection Agency<\/em> by Mark Marinaccio<\/li>\n<li><em>Quiet The Echoes<\/em> by Christian Nilsson<\/li>\n<li><em>Redhill<\/em> by Eevin Hartsough<\/li>\n<li><em>Restraint<\/em> by Stephen Hoover<\/li>\n<li><em>Rustic<\/em> by Arlene Bogna<\/li>\n<li><em>Saint Mephistopheles Hospital<\/em> by Lily Cheng<\/li>\n<li><em>Slush<\/em> by Tyler Burke<\/li>\n<li><em>Snake Hollow<\/em> by T.A. Snyder<\/li>\n<li><em>Sorcerers Of Suburbia<\/em> by Geoffrey Prather<\/li>\n<li><em>Tahoe &#8217;68 <\/em>by Laura E Good + Linda E Good<\/li>\n<li><em>The Academy<\/em> by Brit Cowan<\/li>\n<li><em>The Curious Misery Of Eve<\/em> by Gabrielle Gorman<\/li>\n<li><em>The Drome<\/em> by Hunter Davis<\/li>\n<li><em>The Industrialist<\/em> by Vikas Bandhu<\/li>\n<li><em>The Jackrabbit<\/em> by Mike Swift<\/li>\n<li><em>The Marked<\/em> by Scott Hawthorne + Jim Goode<\/li>\n<li><em>The Paisley Witch Trial<\/em> by Julia Campanelli<\/li>\n<li><em>The Panhandle<\/em> by Matt Lowerre<\/li>\n<li><em>The Private Sector<\/em> by Benjamin King<\/li>\n<li><em>The Saint <\/em>by Kenya Collins<\/li>\n<li><em>The Twin Portraits<\/em> by Eva Everett Irving<\/li>\n<li><em>The Upstairs Lounge<\/em> by Gregory Vines<\/li>\n<li><em>Westward Sunrise<\/em> by Rob Carieri<\/li>\n<li><em>Wilderness<\/em> by Michael Greenwald<\/li>\n<li><em>Worlds Apart<\/em> by Thomas Gaunt<\/li>\n<\/ul>\n<p><\/p>\n<p><\/p>\n<h2 class=\"wp-block-heading\">Comedy Feature Quarterfinalists:<\/h2>\n<p><\/p>\n<p><\/p>\n<ul class=\"wp-block-list\">\n<li><em>93% Chance Of Happiness<\/em> by Jeff Bower<\/li>\n<li><em>A Cradle Or The Grave<\/em> by Robby J Morgan<\/li>\n<li><em>A Most Exclusive Event<\/em> by Clayton Jordan<\/li>\n<li><em>Bad Romance<\/em> by Chad Wellinger<\/li>\n<li><em>Christmastime In Christmastown<\/em> by Ilene Fischer<\/li>\n<li><em>Clean<\/em> by Jason Laurits<\/li>\n<li><em>Crispy<\/em> by Dawson Roebig<\/li>\n<li><em>Death Death<\/em> by Marissa Ruben<\/li>\n<li><em>Elektra<\/em> by Roxy Mitchell<\/li>\n<li><em>Friend Zone<\/em> by Omar Willis<\/li>\n<li><em>Gif Corp<\/em> by Ryan Schorman<\/li>\n<li><em>It&#8217;s Over<\/em> by Emily Bernard<\/li>\n<li><em>Jingle King<\/em> by Nick Matthews<\/li>\n<li><em>Little Merman<\/em> by Kris Fried<\/li>\n<li><em>Nothing Nefarious<\/em> by Jonathan Fox<\/li>\n<li><em>Poser<\/em> by Michael Ronca<\/li>\n<li><em>Straight Up, Now Tell Me\u2026<\/em> by Nyle Cavazos Garcia<\/li>\n<li><em>Tesstosterone<\/em> by Erin Elizabeth Keefer<\/li>\n<li><em>The Marlboro Men<\/em> by T. Camponeschi<\/li>\n<li><em>The Play<\/em> by Josh Mann<\/li>\n<\/ul>\n<p><\/p>\n<p><\/p>\n<h2 class=\"wp-block-heading\">Drama Feature Quarterfinalists:<\/h2>\n<p><\/p>\n<p><\/p>\n<ul class=\"wp-block-list\">\n<li><em>4-19-95 <\/em>by Matt Skuta<\/li>\n<li><em>600 Steps<\/em> by Sylvia-Anne Parker<\/li>\n<li><em>A Closed Trial <\/em>by Daniel Taylor<\/li>\n<li><em>Amy And Angel<\/em> by Julia Verdin + Deedee Benkovich<\/li>\n<li><em>Bluebird Sky<\/em> by Brian Weakland<\/li>\n<li><em>Bob Trevino Likes It<\/em> by Tracie Laymon<\/li>\n<li><em>Brave Woman<\/em> by Melissa Duge Spiers + Rodney Rondeaux<\/li>\n<li><em>Dryland<\/em> by Jennifer D&#8217;angelo Kircher + Nancy Stearns Bercaw<\/li>\n<li><em>Entanglement<\/em> by Carlos Jamal Dorsey<\/li>\n<li><em>Faircloud Memorial: A High School Noir <\/em>by Matt Skuta<\/li>\n<li><em>Fate<\/em> by Masoud Shahidi<\/li>\n<li><em>Father Time<\/em> by Torthell Robinson<\/li>\n<li><em>From<\/em> <em>Mud<\/em> by Dave Pilson + Neil Holland<\/li>\n<li><em>Girl<\/em> <em>Boxer<\/em> <em>Feature<\/em> by Lauren McCann<\/li>\n<li><em>Incarnations<\/em> by Albert M. Chan<\/li>\n<li><em>Kissed By An Elephant <\/em>by Christina Macaulay<\/li>\n<li><em>Lockdown<\/em> <em>Generation<\/em> by Joel Mcelvaney<\/li>\n<li><em>Main Drag<\/em> by Ryan Thorsen<\/li>\n<li><em>Major Hacker&#8217;s War <\/em>by Steve Blame<\/li>\n<li><em>Make<\/em> <em>Believe<\/em> by Brit Cowan<\/li>\n<li><em>One<\/em> <em>Night<\/em> <em>In Tombstone<\/em> by Toni-Ann Lagana<\/li>\n<li><em>One Shot<\/em> by Harry Ricky Dieudonne<\/li>\n<li><em>Rosie<\/em> by Charlie Frazier + Chris Frazier<\/li>\n<li><em>Seraphim&#8217;s<\/em> <em>Miracle<\/em> by JB Storey<\/li>\n<li><em>Takedown<\/em> by Mark Cooper<\/li>\n<li><em>That Triflin\u2019 S.o.b. Cartwright Jenkins<\/em> by Christine Burright<\/li>\n<li><em>The Desert Shrine <\/em>by V.R. Marianne Zahn<\/li>\n<li><em>The Greats<\/em> by Amanda Chandler<\/li>\n<li><em>The Guns At Cowra<\/em> by Vir Srinivas<\/li>\n<li><em>The Life We Chose <\/em>by Guilherme Viegas<\/li>\n<li><em>The Longest Goodbye<\/em> by Aaron Braxton<\/li>\n<li><em>The Odd Son<\/em> by Nigel Tyrone Simms<\/li>\n<li><em>The Passage Of Sun<\/em> by Aaron Braxton<\/li>\n<li><em>The Redneck &amp; the Closer<\/em> by Daret Dickens<\/li>\n<li><em>The Rommel Gambit <\/em>by John Doble<\/li>\n<li><em>The Summer We Ran<\/em> by Bill Taylor<\/li>\n<li><em>Through The Wall<\/em> by Daryn Castle<\/li>\n<li><em>An Ideal Wife<\/em> by Sarah Knight<\/li>\n<li><em>For Helen<\/em> by Emily Lerer<\/li>\n<li><em>Magical Things<\/em> by Mckinnon Powell<\/li>\n<li><em>Meinfield<\/em> by Chuck Driskell<\/li>\n<li><em>The Devil And Dick<\/em> by Gregory Sean Slater<\/li>\n<li><em>The Passion Of Pauli Murray<\/em> by Sean Slater<\/li>\n<\/ul>\n<p><\/p>\n<p><\/p>\n<h2 class=\"wp-block-heading\">Genre Feature Quarterfinalists:<\/h2>\n<p><\/p>\n<p><\/p>\n<ul class=\"wp-block-list\">\n<li><em>Bloodlines: The Mogadishu Diaries 1992-1993<\/em> by Eddie Clay Thompkins III<\/li>\n<li><em>CC-909<\/em> by Johnny Gilligan<\/li>\n<li><em>Dragons<\/em> <em>Of The Gloaming<\/em> by Joel Mcelvaney<\/li>\n<li><em>Eyelashes<\/em> by Kelly Palmer<\/li>\n<li><em>Guardians Of The Crown<\/em> by Gregg Guest<\/li>\n<li><em>Honey&#8217;s Unicorn<\/em> by D. A. Jolivette<\/li>\n<li><em>Like Father Like Son<\/em> by Barry Jay<\/li>\n<li><em>Nature Preserve<\/em> by Ben Pavitt<\/li>\n<li><em>On A Field Of Legends<\/em> by Nick Julius<\/li>\n<li><em>Saint Dorothea<\/em> by Chris King<\/li>\n<li><em>Samurai West<\/em> by Carlos Gabriel Ruiz<\/li>\n<li><em>Starhope<\/em> by Abdulrahman Ugas<\/li>\n<li><em>Subduction<\/em> by Garrett Rowe + Joe Varkle<\/li>\n<li><em>Surfing Grandpa<\/em> by George Petersen<\/li>\n<li><em>The First Daughter<\/em> by Abdulrahman Ugas<\/li>\n<li><em>The Janitor <\/em>by Woting Cai<\/li>\n<li><em>The New Road<\/em> by Michael Raymond<\/li>\n<li><em>The Night Watchman<\/em> by Thomas Gaunt<\/li>\n<li><em>Time Zero<\/em> by Carlo &amp; Erin Carere<\/li>\n<li><em>Valley Of The Shadow<\/em> by Logan Shaw<\/li>\n<\/ul>\n<p><\/p>\n<p><\/p>\n<h2 class=\"wp-block-heading\">Horror Feature Quarterfinalists:<\/h2>\n<p><\/p>\n<p><\/p>\n<ul class=\"wp-block-list\">\n<li><em>Beast Of Virginia<\/em> by Matthew Corley<\/li>\n<li><em>Broken Vessels<\/em> by Andrew Adams<\/li>\n<li><em>Cuffing Season<\/em> by Jon Bershad<\/li>\n<li><em>Daughters Of The Moon (First Phase)<\/em> by Patrick Mediate + Aaron McLane<\/li>\n<li><em>Gourd<\/em> by Marcus Lux<\/li>\n<li><em>Exterminator<\/em> by Alexander Julian<\/li>\n<li><em>Fright<\/em> by Byron Miller, Shelly Smith, Paul Morgan<\/li>\n<li><em>Hoel<\/em> by David Mcguire<\/li>\n<li><em>Mars One<\/em> by Andrew Henderson<\/li>\n<li><em>Noctua<\/em> by Andrew M. Henderson<\/li>\n<li><em>Our Lady Of Justice<\/em> by David Daniels<\/li>\n<li><em>Snake Hollow<\/em> by T.A. Snyder<\/li>\n<li><em>Primordial<\/em> by Andrew M. Henderson<\/li>\n<li><em>Scatterbrains<\/em> by Richard Hohenrath<\/li>\n<li><em>The Devil&#8217;s Butcher Shop<\/em> by Matt O&#8217;Reilly<\/li>\n<\/ul>\n<p><\/p>\n<p><\/p>\n<h2 class=\"wp-block-heading\">Short Quarterfinalists:<\/h2>\n<p><\/p>\n<p><\/p>\n<ul class=\"wp-block-list\">\n<li><em>40 Days<\/em> by Jo\u00e3o Ruela Branco<\/li>\n<li><em>Angel&#8217;s Landing<\/em> by Fv Everleigh<\/li>\n<li><em>Dear Island<\/em> by Don Donahue<\/li>\n<li><em>Ebony <\/em>by Isaiah Dennis<\/li>\n<li><em>El Vals (The Waltz)<\/em> by Alycya Magana<\/li>\n<li><em>Fungi<\/em> by Mark Renshaw<\/li>\n<li><em>Guns Down<\/em> by Robert Sweeting + Rob Alicea<\/li>\n<li><em>Knead<\/em> by Otito Gregobi<\/li>\n<li><em>La Sierra<\/em> by Armando Gonzalez<\/li>\n<li><em>Milly &amp; Milo <\/em>by Douglas Spaltro<\/li>\n<li><em>Pancake Skank<\/em> by Sav Rodgers<\/li>\n<li><em>Passengers<\/em> by David-Matthew Barnes<\/li>\n<li><em>Pros &amp; Cons<\/em> by Olivia Pearson<\/li>\n<li><em>Telethon: The Quest To Save Grease 2&#8217;s Reputation<\/em> by Sav Rodgers<\/li>\n<li><em>The Last Good Day <\/em>by Mahalia Latortue<\/li>\n<li><em>Therapy Session<\/em> by Justen Leatherwood<\/li>\n<li><em>Time To Shine<\/em> by Mark Renshaw<\/li>\n<li><em>Underwatch<\/em> by Jaden Duenas<\/li>\n<li><em>Vain<\/em> by Lucas Lefkowitz<\/li>\n<li><em>Ya Ghalbi<\/em> by Yasmeen Albrahim<\/li>\n<li><em>September 13, 2004<\/em> by Derrick Benton<\/li>\n<li>\/<em>haaw<\/em>\/ by Joey Scoma<\/li>\n<li><em>Baby Fever<\/em> by Hannah May Cumming + Alex Hartwig<\/li>\n<li><em>CA Hwy 33<\/em> by Chris Calzia<\/li>\n<li><em>Cait &amp; The Corpse<\/em> by J. Logan Alexander + Elissa Nechamkin<\/li>\n<li><em>Call Me Nevada<\/em> by Alexander Julian III<\/li>\n<li><em>Candybyte<\/em> by Diana Foronda<\/li>\n<li><em>Divine Comedy<\/em> by Harrison Gale<\/li>\n<li><em>Genre Flick<\/em> by Thom Hilton<\/li>\n<li><em>Gloves<\/em> by Michael Clifton<\/li>\n<li><em>Health Center<\/em> by Arezoo Khanjani<\/li>\n<li><em>House Of Wolves<\/em> by Andrew Yeremeyev<\/li>\n<li><em>Leopard<\/em> by Dan Abramovici<\/li>\n<li><em>Marieta<\/em> by Cassie C. Phillips<\/li>\n<li><em>Motel Room Sixteen<\/em> by Aron Cagan<\/li>\n<li><em>Our Sins<\/em> by Anjini Taneja Azhar<\/li>\n<li><em>Ra\u017ean<\/em> by Mahsa Alinaghian + Hamid Salimi<\/li>\n<li><em>Smoke Signals <\/em>by Tiffany Abreu<\/li>\n<li><em>The Baobab Tree<\/em> by Danielle Browne<\/li>\n<li><em>The Cheetah<\/em> by Mohammad Pourriahi<\/li>\n<li><em>Vinyl Taped Mary Jane<\/em> by Angel Hilson<\/li>\n<\/ul>\n<p><\/p>\n<p><\/p>\n<h2 class=\"wp-block-heading\">Tennessee Writer Quarterfinalists:<\/h2>\n<p><\/p>\n<p><\/p>\n<ul class=\"wp-block-list\">\n<li><em>Blue Collar Pink<\/em> by Sam Flynn<\/li>\n<li><em>Blueprints<\/em> by Ethan Palm<\/li>\n<li><em>Border Saints<\/em> by Linda Dillon Moya<\/li>\n<li><em>Cherry Park<\/em> by Joseph Hooten<\/li>\n<li><em>Cutting Edge<\/em> by Hannah Wacholtz<\/li>\n<li><em>Distance And Silence<\/em> by Ben Parsons<\/li>\n<li><em>Dog Duty<\/em> by Mark Casadei + Anna Casadei<\/li>\n<li><em>Family Is Familia<\/em> by Sara K De La Haya<\/li>\n<li><em>Floridamen<\/em> by Nate Eppler<\/li>\n<li><em>Funny How<\/em> by Sarah Zanotti + Kd Amond<\/li>\n<li><em>Happily<\/em> by Beecher Reuning<\/li>\n<li><em>How To Train A Man<\/em> by Jeffery Chase<\/li>\n<li><em>Match<\/em> by Frederick Jerome Taylor<\/li>\n<li><em>Mcnairy Medical<\/em> by Lindsey Brandon<\/li>\n<li><em>Northern Lights<\/em> by Kim Wuan<\/li>\n<li><em>Open Guard<\/em> by Nicole Weaver<\/li>\n<li><em>Queer And Southern God<\/em> by Melisse Prusinski + Shawn-Caulin Young<\/li>\n<li><em>Render Unto Caesar<\/em> by Troy Crawford<\/li>\n<li><em>Roadkill<\/em> by Harrison Hamm<\/li>\n<li><em>Rupture<\/em> by Sally Pitts<\/li>\n<li><em>The<\/em> <em>Adventures Of Sock Man And The Lost World<\/em> by Melissa Sheridan<\/li>\n<li><em>The<\/em> <em>Benefactor<\/em> by Mark Casadei + Anna Casadei<\/li>\n<li><em>The Portal Home<\/em> by Bryan Kelsey<\/li>\n<li><em>The Unraveling<\/em> by Sarah Zanotti + Kd Amond<\/li>\n<li><em>Youngbloods<\/em> by Stacey Russell<\/li>\n<li><em>Problem Cases<\/em> by Briana Cox<\/li>\n<li><em>This Ride<\/em> by Aaron Steinberg<\/li>\n<\/ul>\n<p><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>The Nashville Film Festival Screenwriting Competition is excited to announce the 2022 Quarterfinalists. The overall quality of the scripts this season was outstanding, but this diverse group of writers rose to the top making us laugh, cry, and sleep with the lights on. Congratulations to all involved! 30 Minute Pilot Quarterfinalists: 35 Bleak St. by &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/nashvillefilmfestival.org\/announcing-nashfilms-2022-screenplay-competition-quarterfinalists\/\" class=\"more-link\">Read more<span class=\"screen-reader-text\"> &#8220;Announcing NashFilm&#8217;s 2022 Screenplay Competition Quarterfinalists!&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1001042,"featured_media":17450,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-17431","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Announcing NashFilm&#039;s 2022 Screenplay Competition Quarterfinalists! - NASHVILLE FILM FESTIVAL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nashvillefilmfestival.org\/announcing-nashfilms-2022-screenplay-competition-quarterfinalists\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Announcing NashFilm&#039;s 2022 Screenplay Competition Quarterfinalists! - NASHVILLE FILM FESTIVAL\" \/>\n<meta property=\"og:description\" content=\"The Nashville Film Festival Screenwriting Competition is excited to announce the 2022 Quarterfinalists. 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