{"id":17999,"date":"2022-10-03T21:55:02","date_gmt":"2022-10-03T21:55:02","guid":{"rendered":"https:\/\/nashvillefilmfestival.org\/?page_id=17999"},"modified":"2022-10-31T15:05:03","modified_gmt":"2022-10-31T15:05:03","slug":"2022-competition-winners","status":"publish","type":"page","link":"https:\/\/nashvillefilmfestival.org\/2022-competition-winners\/","title":{"rendered":"2022 Competition Winners"},"content":{"rendered":"\n
\"\"<\/a><\/figure>\n\n\n\n

The Nashville Film Festival (NashFilm) announces the 53rd edition\u2019s award winners, including best films in each category and the winning scripts in the organization\u2019s esteemed screenplay competition. <\/p>\n\n\n\n

Brazilian film MARS ONE<\/strong>, written and directed by Gabriel Martins, was named Best Narrative Feature, while Tracey Arcabasso Smith\u2019s RELATIVE <\/strong>earned the Best Documentary Feature award; AND STILL I SING<\/strong> received Best Music Documentary honors, and Alex Heller\u2019s THE YEAR BETWEEN<\/strong> was honored as Best New Directors Feature. <\/p>\n\n\n\n

Watch the full awards ceremony here<\/a> (Film) and here<\/a> (Screenplay), and find the full list of jury members here<\/a>. The complete list of film and script award winners is below. Congratulations to all of the participating filmmakers and screenwriters who have made the 53rd Nashville Film Festival such an amazing experience. <\/p>\n\n\n\n

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2022 FILM COMPETITION AWARD WINNERS<\/h1>\n\n\n\n
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\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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Best Narrative Feature  <\/h2>\n\n\n\n

MARS ONE<\/a> <\/h2>\n\n\n\n

(d. Gabriel Martins)<\/h2>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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Best Documentary Feature  <\/h2>\n\n\n\n

RELATIVE <\/a><\/h2>\n\n\n\n

(d. Tracey Arcabasso Smith)<\/h2>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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Best Music Documentary Feature <\/h2>\n\n\n\n

AND STILL I SING <\/a><\/h2>\n\n\n\n

(d. Fazila Amiri)<\/h2>\n<\/div>\n<\/div>\n\n\n\n
\n
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\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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Best New Directors Feature  <\/h2>\n\n\n\n

THE YEAR BETWEEN <\/a><\/h2>\n\n\n\n

(d. Alex Heller)<\/h2>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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Best Graveyard Shift Feature  <\/h2>\n\n\n\n

ROUNDING<\/a> <\/h2>\n\n\n\n

(d. Alex Thompson)<\/h2>\n<\/div>\n<\/div>\n\n\n\n
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\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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Best Tennessee Feature <\/h2>\n\n\n\n

JACIR<\/a> <\/h2>\n\n\n\n

(d. Waheed AlQawasmi)<\/h2>\n<\/div>\n<\/div>\n\n\n\n
\n
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\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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Best Narrative Short <\/h2>\n\n\n\n

THE BLANKET <\/a><\/h2>\n\n\n\n

(d. Teppo Airaksinen)<\/h2>\n<\/div>\n<\/div>\n\n\n\n
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\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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Best Documentary Short <\/h2>\n\n\n\n

LOVE, DAD <\/a><\/h2>\n\n\n\n

(d. Diana Cam Van Nguyen)<\/h2>\n<\/div>\n<\/div>\n\n\n\n
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\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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Best Animated Short <\/h2>\n\n\n\n

NIGHT OF THE LIVING DEAD<\/a> <\/h2>\n\n\n\n

(d. Ida Melum)<\/h2>\n<\/div>\n<\/div>\n\n\n\n
\n
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\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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Best ‘The Edge’ Short <\/h2>\n\n\n\n

BEEF<\/a> <\/h2>\n\n\n\n

(d. Sean Webley & Brendon Kingsbury)<\/h2>\n<\/div>\n<\/div>\n\n\n\n
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\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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Best Graveyard Shift Short <\/h2>\n\n\n\n

MOSHARI<\/a> <\/h2>\n\n\n\n

(d. Nuhash Humayun)<\/h2>\n<\/div>\n<\/div>\n\n\n\n
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\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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Best Tennessee Short <\/h2>\n\n\n\n

HERMIE<\/a> <\/h2>\n\n\n\n

(d. Jonathan Becker & Anthony Pitsilos)<\/h2>\n<\/div>\n<\/div>\n\n\n\n
\n
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\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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Best Tennessee Student Short<\/h2>\n\n\n\n

EMBER AND THE KEEPER OF THE CAULDRON<\/a> <\/h2>\n\n\n\n

(d. Audrey Witherspoon & Natalie Peterson)<\/h3>\n<\/div>\n<\/div>\n\n\n\n
\n
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\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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Best NextGen Short <\/h2>\n\n\n\n

MOLES<\/a> <\/h2>\n\n\n\n

(d. Vanja Victor Kabir Tognola)<\/h2>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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Best Episodic Pilot <\/h2>\n\n\n\n

CAMP GREENWOOD<\/a> <\/h2>\n\n\n\n

(d. Kourtney Bell)<\/h2>\n<\/div>\n<\/div>\n\n\n\n
\n
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\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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Best Episodic Series <\/h2>\n\n\n\n

MASHED<\/a> <\/h2>\n\n\n\n

(d. Stacey Maltin)<\/h2>\n<\/div>\n<\/div>\n\n\n\n
\n
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\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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Best Virtual Reality & 360 <\/h2>\n\n\n\n

GLIMPSE<\/a> <\/h2>\n\n\n\n

(d. Michael O’Connor and Benjamin Cleary)<\/h3>\n<\/div>\n<\/div>\n\n\n\n
\n
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\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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Nashville Public Television Human Spirit Award <\/h2>\n\n\n\n

MY NAME IS ANDREA<\/h2>\n\n\n\n

(d. Pratibha Parmar)<\/h3>\n<\/div>\n<\/div>\n\n\n\n
\n
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\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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Reel South Short Award <\/h2>\n\n\n\n

TEN BY TEN<\/h2>\n\n\n\n

(d. Jami Bennett<\/strong>)<\/h3>\n<\/div>\n<\/div>\n\n\n\n
\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\n\n\n\n

2022 SCREENWRITING COMPETITION WINNERS<\/h1>\n\n\n\n
\n\n\n\n

Best Drama Feature Script<\/strong>: THE PASSAGE OF SUN, written by Aaron Braxton<\/p>\n\n\n\n

Best Comedy Feature Script<\/strong>: ELEKTRA, written by Roxy Mitchell<\/p>\n\n\n\n

Best Horror Feature Script<\/strong>: OUR LADY OF JUSTICE, written by David Daniels<\/p>\n\n\n\n

Best Genre Feature Script<\/strong>: EYELASHES, written by Kelly Palmer<\/p>\n\n\n\n

Best Short Script<\/strong>: SEPTEMBER 13, 2004, written by Derrick Benton<\/p>\n\n\n\n

Best Half Hour Pilot<\/strong>: Script BABY GAY, written by Keyanna Khatiblou<\/p>\n\n\n\n

Best Hour Pilot Script<\/strong>: MURDER SHOW, written by Rosalind Grush<\/p>\n\n\n\n

Best Tennessee Writer<\/strong>: FLORIDAMEN, written by Nate Eppler<\/p>\n\n\n\n

\n\n\n\n

About the Nashville Film Festival<\/strong><\/p>\n\n\n\n

The Nashville Film Festival (NashFilm) is a globally recognized nonprofit organization and cultural event presenting the best in world cinema, American independent films and documentaries by veteran masters, up-and-coming directors, and first-time filmmakers. With Academy Award\u00ae qualifying status, the Nashville Film Festival celebrates innovation, music and the many voices of the human spirit through the art of film. Originally founded in 1969, the Nashville Film Festival is one of the first film festivals in the United States and hosted its 53rd festival from September 29-October 5, 2022. For more information, visit www.nashfilm.org<\/a>.<\/p>\n\n\n\n

\n\n\n\n
\"\"<\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"

The Nashville Film Festival (NashFilm) announces the 53rd edition\u2019s award winners, including best films in each category and the winning scripts in the organization\u2019s esteemed screenplay competition. Brazilian film MARS ONE, written and directed by Gabriel Martins, was named Best Narrative Feature, while Tracey Arcabasso Smith\u2019s RELATIVE earned the Best Documentary Feature award; AND STILL … <\/p>\n

Read more “2022 Competition Winners”<\/span><\/a><\/p>\n","protected":false},"author":1001042,"featured_media":18021,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-17999","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\n2022 Competition Winners - NASHVILLE FILM FESTIVAL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nashvillefilmfestival.org\/2022-competition-winners\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2022 Competition Winners - NASHVILLE FILM FESTIVAL\" \/>\n<meta property=\"og:description\" content=\"The Nashville Film Festival (NashFilm) announces the 53rd edition\u2019s award winners, including best films in each category and the winning scripts in the organization\u2019s esteemed screenplay competition. 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