{"id":19128,"date":"2024-07-01T18:25:48","date_gmt":"2024-07-01T18:25:48","guid":{"rendered":"https:\/\/nashvillefilmfestival.org\/?p=19128"},"modified":"2024-07-02T15:23:22","modified_gmt":"2024-07-02T15:23:22","slug":"announcing-the-2024-screenplay-competition-quarterfinalists","status":"publish","type":"post","link":"https:\/\/nashvillefilmfestival.org\/announcing-the-2024-screenplay-competition-quarterfinalists\/","title":{"rendered":"NashFilm 2024 Screenplay Competition Quarterfinalists"},"content":{"rendered":"\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/nashvillefilmfestival.org\/wp-content\/uploads\/2024\/07\/Screenplay-Quarterfinalists-1-1.png\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"341\" data-id=\"19132\" src=\"https:\/\/nashvillefilmfestival.org\/wp-content\/uploads\/2024\/07\/Screenplay-Quarterfinalists-1-1-1024x341.png\" alt=\"\" class=\"wp-image-19132\" srcset=\"https:\/\/nashvillefilmfestival.org\/wp-content\/uploads\/2024\/07\/Screenplay-Quarterfinalists-1-1-1024x341.png 1024w, https:\/\/nashvillefilmfestival.org\/wp-content\/uploads\/2024\/07\/Screenplay-Quarterfinalists-1-1-300x100.png 300w, https:\/\/nashvillefilmfestival.org\/wp-content\/uploads\/2024\/07\/Screenplay-Quarterfinalists-1-1.png 1050w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>NashFilm is pleased to announce the Screenplay Competition Quarterfinalists for the 55th Nashville Film Festival.  The winners will be announced at the 55th Nashville Film Festival taking place Sept. 19-25, 2024.<\/p>\n\n\n\n<p>Screenplays are the blueprints for cinematic magic, crafted by the creative minds who dare to dream big. They bring characters to life, spin tales that captivate, and ignite emotions that linger long after the credits roll. Every year, we have the pleasure of reading countless different screenplays, with this year being no exception. Today, we announce which of these screenplays are quarterfinalists.<\/p>\n\n\n\n<p>Congratulations to those who have made it this far and thank you to everyone who submitted this year. Your passion and dedication are the driving force behind the magic of cinema, and we are honored to have been a part of your creative journey. Stay tuned for announcements regarding the semifinalists and finalists for the 2024 Nashville Film Festival Screenplay Competition.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-medium-font-size\"><strong>Comedy Feature Quarterfinalists<\/strong><\/h2>\n\n\n\n<p><strong><em>Bad Dates And Aliens<\/em><\/strong> by Navid Mehrjou<br><strong><em>Bass Champs<\/em><\/strong> by Elizabeth Baquet<br><strong><em>Boom The Conqueror<\/em><\/strong> by Ana R. Dominick<br><strong><em>Brave John Burns<\/em><\/strong> by John Biolsi<br><strong><em>Canterbury Trails<\/em><\/strong> by Michael Brose<br><strong><em>Cheekbones<\/em><\/strong> by Deantre Henderson<br><strong><em>Dick Nixon: Crisis In Space <\/em><\/strong>by Danny Rathbun<br><strong><em>Down At The Val<\/em><\/strong> by Neil Goodchild<br><strong><em>Emily&#8217;s Toy Boy<\/em><\/strong> by Paula Smith<br><strong><em>Game Over. Continue???<\/em><\/strong> by Bryan Heshiki<br><strong><em>I&#8217;m Begging You To Date Me<\/em><\/strong> by Fiona Kida<br><strong><em>Janice Beside Herself<\/em><\/strong> by Laura Jaques<br><strong><em>Nothing To See Here<\/em><\/strong> by Josh Long<br><strong><em>Nowhere To Be<\/em><\/strong> by Deirdre O&#8217;Connor<br><strong><em>Our Christmas Anniversary<\/em><\/strong> by Gary Templeton<br><strong><em>Pearl Jam And Toast<\/em><\/strong> by Will Downs<br><strong><em>Playing Hero<\/em><\/strong> by Warren Lane<br><strong><em>Positive Roberto<\/em><\/strong> by Ni\u00f1o De Rivera<br><strong><em>Sex Talk<\/em><\/strong> by Jessica L. Folk<br><strong><em>That Summer We Stole Our Permanent Records<\/em><\/strong> by Kersti Niebruegge<br><strong><em>That&#8217;s Our Girl<\/em><\/strong> by Lexi Brandt<br><strong><em>The Bashers<\/em><\/strong> by Myles Hewette<br><strong><em>The Formidable Miss Bennet<\/em><\/strong> by Alisa Kindsfater<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Drama Feature Quarterfinalists<\/strong><\/p>\n\n\n\n<p><strong><em>A Good Day Will Come<\/em><\/strong> by Amir Zargara<br><strong><em>Aman And Flor Against The Mther*cking World<\/em><\/strong> by Emilie Blythe McDonald<br><strong><em>Becoming Elizabeth<\/em><\/strong> by Aimee Veronica Pitta<br><strong><em>Black Woman Down<\/em><\/strong> by Felicia Baxter<br><strong><em>Bounce<\/em><\/strong> by Chris Manydeeds<br><strong><em>Crescendo<\/em><\/strong> by Michael Carrithers<br><strong><em>Crossed<\/em><\/strong> by Peter Herlan<br><strong><em>Demanding An Answer From God<\/em><\/strong> by Kevin J. Howard<br><strong><em>Elephant Path<\/em><\/strong> by Robert Wooldridge<br><strong><em>Exorcise Intolerance<\/em><\/strong> by Brian Koukol<br><strong><em>Flowergiver<\/em><\/strong> by Alex Ramirez<br><strong><em>Good Chance<\/em><\/strong> by Tricia Lee<br><strong><em>Hattie&#8217;s House<\/em><\/strong> by Dewane Alexander<br><strong><em>How To Heal<\/em><\/strong> by Josh Wilson<br><strong><em>I Love You As Much As I Can<\/em><\/strong> by Quinn Martin<br><strong><em>Love Bombed?<\/em><\/strong> by Elisabeth Lawrence<br><strong><em>Myriam<\/em><\/strong> by J Rainsnow<br><strong><em>Nanjing 1937<\/em><\/strong> by Nick Marciano<br><strong><em>Old Flames<\/em><\/strong> by Yvonne Paretzky<br><strong><em>On The Hook<\/em><\/strong> by Sassy Mohen<br><strong><em>Over The Horizon<\/em><\/strong> by Stephanie Parney &amp; Nicholas Roy<br><strong><em>Polaroid Girl<\/em><\/strong> by Richard H. Bogart<br><strong><em>Popcorn Prophets<\/em><\/strong> by Reynaldo Leal<br><strong><em>President Edith Wilson<\/em><\/strong> by William E Clark<br><strong><em>Pretty Boy Towing Company<\/em><\/strong> by Kirk Ray Shannon-Butts<br><strong><em>R.e.g.g.i.n<\/em><\/strong> by A. D. Smith<br><strong><em>Sacrificial Prodigy<\/em><\/strong> by Kristen Mcnaule<br><strong><em>Sad Gopher<\/em><\/strong> by Brian Koukol<br><strong><em>Speak Easy <\/em><\/strong>by Christopher O. Lukens<br><strong><em>Spitting Fire <\/em><\/strong>by Angie M. Comer<br><strong><em>Stats<\/em><\/strong> by Kem Joy Ukwu<br><strong><em>Take My Life<\/em><\/strong> by Larry Collins<br><strong><em>The Brockton Brawler<\/em><\/strong> by Timothy Driscoll<br><strong><em>The Recluse<\/em><\/strong> by Eric Duffy<br><strong><em>The Winter Dance Party Tour-1959<\/em><\/strong> by L J Coon<br><strong><em>While Owls Sleep<\/em><\/strong> by N. Batchelder<br><strong><em>Without Roots<\/em><\/strong> by Melanie Hope Lang<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Genre Feature Quarterfinalists<\/strong><\/p>\n\n\n\n<p><strong><em>A Boiling Frog<\/em><\/strong> by Parker Gayan<br><strong><em>Angels In Hip Hop Land<\/em><\/strong> by Gail E. Davis &amp; Clyde Santana<br><strong><em>Anywhere<\/em><\/strong> by Adam Seidel<br><strong><em>Checkout<\/em><\/strong> by Hunter Davis &amp; Bryan Bock<br><strong><em>Driverless<\/em><\/strong> by Wilder Konschak &amp; Stirling Mclaughlin<br><strong><em>Echoes In The Dark<\/em><\/strong> by Renee Miller<br><strong><em>Falling From The Sky<\/em><\/strong> by Robert Rhyne<br><strong><em>Heartrace<\/em><\/strong> by Will Bermender<br><strong><em>Hemmville Creek<\/em><\/strong> by Ari Gill<br><strong><em>In The Shadow Of Treachery<\/em><\/strong> by Stan Lewis<br><strong><em>Inner Station<\/em><\/strong> by Matt O&#8217;Reilly<br><strong><em>Kill The Competition<\/em><\/strong> by Will Altemeier<br><strong><em>Point Arena<\/em><\/strong> by Lance Dumais, Gerard Roxburgh &amp; Urijah Faber<br><strong><em>Rikkorrokkir<\/em><\/strong> by James Steele Haney<br><strong><em>Riveters<\/em><\/strong> by Max Rissman<br><strong><em>Silhouettes<\/em><\/strong> by Dustin Richardson<br><strong><em>Stormheart<\/em><\/strong> by Meshal Alsaleem<br><strong><em>That Summer We Stole Our Permanent Records<\/em><\/strong> by Kersti Niebruegge<br><strong><em>The Event<\/em><\/strong> by Izabela Borowska<br><strong><em>The Fountain<\/em><\/strong> by Link York<br><em><strong>The Most Marvelous Man In The World<\/strong><\/em> by Khris Burton &amp; Colin Scott<br><strong><em>The Night Watchman<\/em><\/strong> by Thomas Gaunt<br><strong><em>Trawler<\/em><\/strong> by Joshua Nathan<br><strong><em>Tunnels<\/em><\/strong> by HF Crum<br><strong><em>Who Rescued Who?<\/em><\/strong> by Sean Henning<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Horror Feature Quarterfinalists<\/strong><\/p>\n\n\n\n<p><strong><em>A Debt Unpaid<\/em><\/strong> by Luke Guidici<br><strong><em>Aqualand<\/em><\/strong> by Luke Hunter<br><strong><em>Assimilated<\/em><\/strong> by Christopher Guerrero<br><strong><em>Blue Dreams<\/em><\/strong> by Jonathan Samuel<br><strong><em>Desolation<\/em><\/strong> by Frank Kelly<br><strong><em>Edgeplay<\/em><\/strong> by Jason Kaleko<br><strong><em>Ghost Station<\/em><\/strong> by Suzy Stein &amp; Fernando Perez<br><strong><em>House Of The Deaf Man <\/em><\/strong>by Henry Harper<br><strong><em>Indigent <\/em><\/strong>by Briana Cox<br><strong><em>Karma<\/em><\/strong> by Scott Hawthorne<br><strong><em>Mars One<\/em><\/strong> by Andrew Henderson<br><strong><em>Mary\/mary<\/em><\/strong> by Connor Scott Thompson<br><strong><em>Muck<\/em><\/strong> by Rachel Coomes<br><strong><em>No Control<\/em><\/strong> by Jeff Bower<br><strong><em>Noctua<\/em><\/strong> by Andrew M. Henderson<br><strong><em>Primordial<\/em><\/strong> by Andrew M. Henderson<br><strong><em>Seeking Sugar Mason<\/em><\/strong> by Christopher O&#8217;Bryant<br><strong><em>Symbiote<\/em><\/strong> by Andrew M. Henderson<br><strong><em>Ten Good Deeds<\/em><\/strong> by Anwen Bull<br><strong><em>The Designer<\/em><\/strong> by Em Johnson<br><strong><em>The Knocking At The Marsh<\/em><\/strong> by Gina Deangelis<br><strong><em>The Mantis<\/em><\/strong> by Wylie Rush &amp; Jessie Gill<br><strong><em>Titch<\/em><\/strong> by Jody Matzer<br><strong><em>White Bone<\/em><\/strong> by Richard B. Pierre<br><strong><em>Witchsign<\/em><\/strong> by Scott Hawthorne<br><strong><em>Wrath<\/em><\/strong> by Christopher O&#8217;Bryant<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Half Hour Pilot Quarterfinalists<\/strong><\/p>\n\n\n\n<p><strong><em>And Also With You<\/em><\/strong> by Olivia Marie Haller<br><strong><em>1999<\/em><\/strong> by Kristopher Pierce<br><strong><em>A Black Girl&#8217;s Guide\u2026<\/em><\/strong> by Aadrise Johnson<br><strong><em>Andi Lake Has Things To Do<\/em><\/strong> by Teri Elam<br><strong><em>Blkr Than Black<\/em><\/strong> by Emeka Orjiakor<br><strong><em>Girl Dad<\/em><\/strong> by No\u00e9mie Boucher<br><strong><em>Go Get Larry<\/em><\/strong> by L.E. Coleman<br><strong><em>Kiss My Highness<\/em><\/strong> by Michael Rodriguez<br><strong><em>Me!<\/em><\/strong> by Deontae Simolien<br><strong><em>Mister Miss America<\/em><\/strong> by Neil D&#8217;Astolfo<br><strong><em>Procreation, Inc.<\/em><\/strong> by Lex Powell<br><strong><em>South Birch<\/em><\/strong> by Melissa Byrd<br><strong><em>The 411<\/em><\/strong> by Allyson Morgan<br><strong><em>The Detail <\/em><\/strong>by Jonah Einstein<br><strong><em>The Sex Witch Of Templecombe<\/em><\/strong> by Christine Burright<br><strong><em>The Switch<\/em><\/strong> by Victor Dean<br><strong><em>The Temp<\/em><\/strong> by Devi Snively<br><strong><em>The Two Of Us<\/em><\/strong> by Alison Balnar<br><strong><em>Volstead<\/em><\/strong> by Emily Parker<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Hour Pilot Quarterfinalists<\/strong><\/p>\n\n\n\n<p><strong><em>A Question Of Service <\/em><\/strong>by Hans Obma<br><strong><em>Before The After<\/em><\/strong> by Laura Brienza<br><strong><em>Bloodbound <\/em><\/strong>by Lauren Ferebee<br><strong><em>Butch<\/em><\/strong> by Rae Binstock<br><strong><em>Crescent Sun<\/em><\/strong> by Ladarrion Williams<br><strong><em>Displacement<\/em><\/strong> by Toby Marks<br><strong><em>Foxtown<\/em><\/strong> by Evan Manning<br><strong><em>Free Huey<\/em><\/strong> by Phillip Charles<br><strong><em>Kith &amp; Kin<\/em><\/strong> by Deontae Simolien<br><strong><em>Land Eater<\/em><\/strong> by Zachary Vickers<br><strong><em>Make Them Pay<\/em><\/strong> by Aurora Wells<br><strong><em>Melvin<\/em><\/strong> by Jeremiah Nemeth<br><strong><em>Men Will Be Boys<\/em><\/strong> by Torthell Robinson<br><strong><em>Molotovs<\/em><\/strong> by HF Crum<br><strong><em>Roommates And-i<\/em><\/strong> by Christina Alexandra<br><strong><em>Superstition<\/em><\/strong> by Jeremy St. Romain<br><strong><em>The 147<\/em><\/strong> by John White<br><strong><em>The Battleground<\/em><\/strong> by Teri Elam<br><strong><em>The Bullring<\/em><\/strong> by Edward Dawson<br><strong><em>The Dragon And The Pendant<\/em><\/strong> by Adam Velasquez<br><strong><em>The Girl With The Devil Eyes<\/em><\/strong> by Toby Marks<br><em><strong>The Many Girlfriends Of Manny<\/strong><\/em> by Kahlil Maskati<br><strong><em>The Match<\/em><\/strong> by Justin Ballheim<br><strong><em>The Spread<\/em><\/strong> by Eric Pannell<br><strong><em>The Zookeeper&#8217;s Daughter<\/em><\/strong> by Lisa Hickey<br><strong><em>There Goes The Gayborhood<\/em><\/strong> by Larry Collins<br><strong><em>Unpredictable<\/em><\/strong> by Lisa Hickey<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Short Competition Quarterfinalists<\/strong><\/p>\n\n\n\n<p><em><strong>A Few Perfect Heads<\/strong><\/em> by Ben Hirschhorn<br><strong><em>A Long Road Ahead<\/em><\/strong> by Bernhard Riedhammer<br><strong><em>Ashes<\/em><\/strong> by Joshua David Matthews &amp; Brett Brooks<br><strong><em>Ashes<\/em><\/strong> by Nicole Ohara<br><strong><em>Bank Robbery Hottie<\/em><\/strong> by Ruby Mainieri<br><strong><em>Become The Wounded<\/em><\/strong> by Gabe Berry &amp; Amir Zargara (story by)<br><strong><em>Black Nite<\/em><\/strong> by Matthew Trudeau<br><strong><em>Blessed<\/em><\/strong> by Warren Lane &amp; Jon Tenzing Neralich<br><strong><em>Bomb Ass Boss(es)<\/em><\/strong> by Shanice Williamson<br><strong><em>Bound<\/em><\/strong> by Kirk Richardson<br><strong><em>Box Camera <\/em><\/strong>by Shiva Ramanathan<br><strong><em>Butcher Box<\/em><\/strong> by Victor Dean<br><strong><em>Canopy<\/em><\/strong> by Shiv B<br><strong><em>Chaste<\/em><\/strong> by Joanna Koss<br><strong><em>Cheekbit<\/em><\/strong> by William Winston<br><strong><em>Death Comes For Danny<\/em><\/strong> by Julia Maddox<br><strong><em>Deliverance<\/em><\/strong> by Olga Holtz<br><strong><em>Derby City<\/em><\/strong> by Tyler Totten<br><strong><em>Diane From Kernville<\/em><\/strong> by S.E. King<br><strong><em>Eight Days And Some Hours<\/em><\/strong> by Sina Kianpour<br><strong><em>El Male<\/em><\/strong> by Leonardo Mileikowsky<br><strong><em>Frontera<\/em><\/strong> by Jack Evans<br><strong><em>Happy Cry<\/em><\/strong> by Jen Grubbs<br><strong><em>Heaven Knows<\/em><\/strong> by Randall C Willis<br><strong><em>Hood<\/em><\/strong> by Dante Desmond<br><strong><em>In The Stars<\/em><\/strong> by Persephone Vandegrift<br><strong><em>In Time<\/em><\/strong> by Molly-Anne Dameron<br><strong><em>In With The Storm<\/em><\/strong> by Cara Marshall<br><strong><em>Inside Out<\/em><\/strong> by Orlando Bryant<br><strong><em>Karma <\/em><\/strong>by Santiago Ortiz-Monasterio<br><strong><em>Keshkatha &#8211; The Hair Story<\/em><\/strong> by Gopal Seshadri &amp; Gokul Seshadri<br><strong><em>Las Maldecidas<\/em><\/strong> by Alycya Magana<br><strong><em>L&#8217;avocat<\/em><\/strong> by Rachel Walsh-Williams<br><strong><em>Make A Wish<\/em><\/strong> by Lucy Johnson<br><strong><em>Mary Go Round<\/em><\/strong> by David-Matthew Barnes<br><strong><em>Me, The Dog, And The Dark Fog<\/em><\/strong> by Christopher Shank<br><strong><em>Mirrored Opposition<\/em><\/strong> by Nick Mendoza<br><strong><em>Nexus<\/em><\/strong> by Ivan Gartner<br><strong><em>Nightmare<\/em><\/strong> by Segun Okubanjo<br><strong><em>Pat<\/em><\/strong> by Quam\u00e3\u00a9 Hamlin<br><strong><em>Propinquity <\/em><\/strong>by Garin Najmeh Pirnia<br><strong><em>Red Block<\/em><\/strong> by Aaron David Harris<br><strong><em>Scars That Define Us <\/em><\/strong>by Edward Worthy<br><strong><em>Shinobi Of The West<\/em><\/strong> by B.A. Buffong<br><strong><em>The Comps<\/em><\/strong> by Julie Nelson<br><strong><em>The Dinner That Was Never Served<\/em><\/strong> by Amirreza Rashidi<br><strong><em>The Doghouse<\/em><\/strong> by Evan Colten<br><strong><em>The Double&#8217;s Life<\/em><\/strong> by Cindy Di Xin &amp; Martin Aguilera<br><strong><em>The Evil That Men Do<\/em><\/strong> by Steve Hanisch<br><strong><em>The Last Creation<\/em><\/strong> by Brad Cooper<br><strong><em>The Neuroinfernal Friend<\/em><\/strong> by Melissa Balint<br><strong><em>The Other Side<\/em><\/strong> by Mark Harris &amp; Monica Foley<br><strong><em>There&#8217;s Something Behind Door #1<\/em><\/strong> by Andrew Michael<br><strong><em>Vital<\/em><\/strong> by Gabe Berry &amp; Amir Zargara (story by)<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Tennessee Writer Quarterfinalists<\/strong><\/p>\n\n\n\n<p><strong><em>901<\/em><\/strong> by Phillip Charles<br><strong><em>Bestial<\/em><\/strong> by Tyler Fedele<br><strong><em>Burnt Umber<\/em><\/strong> by Seth Christian<br><strong><em>Curse Of The Frontier<\/em><\/strong> by Sam Jones<br><strong><em>David Rex<\/em><\/strong> by Ben Dongarra<br><strong><em>Divided<\/em><\/strong> by Louis Johnson<br><strong><em>I Am<\/em><\/strong> by Phillip Charles<br><strong><em>Last Bash<\/em><\/strong> by Krista Knight &amp; Meghan Brown<br><strong><em>Let Her Go<\/em><\/strong> by Melissa Sheridan &amp; Amy Traurig<br><strong><em>Lunatic<\/em><\/strong> by Sally Jane Pitts &amp; Ryan Louis Gaumont<br><strong><em>Mary\/mary <\/em><\/strong>by Connor Scott Thompson<br><strong><em>Miss Ney<\/em><\/strong> by Jan H Morrison &amp; Kelly C Brownlee<br><strong><em>Music Store Miracle<\/em><\/strong> by Alan Sproles &amp; Lizanne Southgate<br><strong><em>Never Going Back<\/em><\/strong> by Ernie W Hoskins<br><strong><em>R.e.g.g.i.n<\/em><\/strong> by A. D. Smith<br><strong><em>Songs Of September<\/em><\/strong> by Ben Parsons<br><strong><em>The Anchoress<\/em><\/strong> by Matthew Fisher<br><strong><em>The Bus Driver<\/em><\/strong> by Matt Bowers<br><strong><em>The Creighton Chronicles: Master Of Death<\/em><\/strong> by Ben Parsons<br><strong><em>The Lost Book Of Enoch, Judgement Of The Watchers<\/em><\/strong> by Melissa Sheridan<br><strong><em>To The Family Of Verlean Banks<\/em><\/strong> by Briana Cox<br><strong><em>Welcome To The No Beau Chateau<\/em><\/strong> by Jeff Elder<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>For more information on the 55th Nashville Film Festival, please visit the official festival webpage here:<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-background wp-element-button\" href=\"https:\/\/nashvillefilmfestival.org\/2024-festival\/\" style=\"background-color:#b32f74\"><strong>55TH FESTIVAL<\/strong><\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:35px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><a href=\"https:\/\/nashvillefilmfestival.org\/wp-content\/uploads\/2024\/07\/NFF24-Moviemaker-728x90-2.jpg\"><img decoding=\"async\" width=\"1024\" height=\"126\" src=\"https:\/\/nashvillefilmfestival.org\/wp-content\/uploads\/2024\/07\/NFF24-Moviemaker-728x90-2-1024x126.jpg\" alt=\"\" class=\"wp-image-19138\" srcset=\"https:\/\/nashvillefilmfestival.org\/wp-content\/uploads\/2024\/07\/NFF24-Moviemaker-728x90-2-1024x126.jpg 1024w, https:\/\/nashvillefilmfestival.org\/wp-content\/uploads\/2024\/07\/NFF24-Moviemaker-728x90-2-300x37.jpg 300w, https:\/\/nashvillefilmfestival.org\/wp-content\/uploads\/2024\/07\/NFF24-Moviemaker-728x90-2.jpg 1517w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<div style=\"height:80px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>NashFilm is pleased to announce the Screenplay Competition Quarterfinalists for the 55th Nashville Film Festival. The winners will be announced at the 55th Nashville Film Festival taking place Sept. 19-25, 2024. Screenplays are the blueprints for cinematic magic, crafted by the creative minds who dare to dream big. They bring characters to life, spin tales &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/nashvillefilmfestival.org\/announcing-the-2024-screenplay-competition-quarterfinalists\/\" class=\"more-link\">Read more<span class=\"screen-reader-text\"> &#8220;NashFilm 2024 Screenplay Competition Quarterfinalists&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1001040,"featured_media":16557,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-19128","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>NashFilm 2024 Screenplay Competition Quarterfinalists - NASHVILLE FILM FESTIVAL<\/title>\n<meta name=\"description\" content=\"Congratulations to those who have made it this far and thank you to everyone who submitted this year. Your passion and dedication are the driving force behind the magic of cinema, and we are honored to have been a part of your creative journey. Stay tuned for later announcements regarding the semifinalists and finalists for the 2024 Nashville Film Festival Screenplay Competition.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nashvillefilmfestival.org\/announcing-the-2024-screenplay-competition-quarterfinalists\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NashFilm 2024 Screenplay Competition Quarterfinalists - NASHVILLE FILM FESTIVAL\" \/>\n<meta property=\"og:description\" content=\"Congratulations to those who have made it this far and thank you to everyone who submitted this year. Your passion and dedication are the driving force behind the magic of cinema, and we are honored to have been a part of your creative journey. 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